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1. #Lyon and healy harp troubadour ii made in what year drivers
2. #Lyon and healy harp troubadour ii made in what year full size
3. #Lyon and healy harp troubadour ii made in what year driver

Salvi, assisted by a team of Italian cabinetmakers and Swiss watchmakers, made a number of technical innovations that remain hallmarks of his instruments. The harp has long been considered dainty, but it must be built to display grace under pressure, quite literally. Though it typically has only 47 strings, it is able to achieve a six-and-a-half-octave range by means of a set of pedals, which control a sophisticated mechanism that raises or lowers the pitch of the strings. More than any other orchestral instrument, the harp is a machine, weighing some 90 pounds and comprising more than a thousand moving parts. That instrument has since been played by the official royal harpist at many imperial functions, including the wedding reception of Prince William and Kate Middleton in 2011. Salvi presented him with an ornate, heavily gilded instrument known as the Prince of Wales harp. Prince Charles became the owner of one in 2006, when Mr. Prized for their power and sonority, Salvi harps are played today by many of the finest soloists and orchestral musicians in the world. With his acquisition in 1987 of Lyon & Healy, the venerable Chicago harp maker and his only major competitor, he came to preside over a genial global monopoly. Salvi, a former member of the New York Philharmonic who was equal parts harpist, artisan, engineer and evangelist, established the company in 1956. His death was announced by his company, Salvi Harps, of Piasco, Italy. & coming home & going ugh, well this ain't doing it.Victor Salvi, who reigned for decades as the world’s foremost maker of harps, died on May 10 in Milan. The result of a lifetime of going to rehearsals & performances with sometimes a 11,000 pipe organ, a 100+ chorus, a symphony, etc. This is the most efficient (116 Db), lowest distortion system I have ever heard. 8 Horn loaded 803's & the large format, Long Horns. As with many huge systems the listening experience is like taking a warm luxurious bath as compared to most speakers that are more like a shower with a sharp, water saving or hard blasting type shower head.

#Lyon and healy harp troubadour ii made in what year drivers

I never set out to build a system this big but when I was going over the over the drivers and cabinets one day it came to me, "I could do a A-2!!!". This is something that just came to me one day. My personal pick for The coolest, sexiest, best angled cabinet EVER designed! Grill cloth is still as tight as a drum!

The big, high power Jensen system with the silky gossamer sound! Steam Locomotive powerful, yet so sweet & detailed, non mechanical, non electronic, plastic, etc.Īs Altec put it in 1952, "The Concert Grand of the speaker world." This pair came from my Original audio mentor, Ray Karns, and are just as when I bought them 30+ years ago with the exception that I replaced the 1950's 802B treble drivers with the late 1930's field coil Lansing 801B's giving a more electrostatic speed, detail & liquidity. Earliest reference I have to "High-Fidelity" & they knew their stuff. Very fancy 3D cabinet with chevron pattern, cellulose grill cloth Etc.

#Lyon and healy harp troubadour ii made in what year driver

There is no other driver than the 1930's Jensen that has the speed, power and ghostly presence.ĭriven by original RCA model 2 45 two stage push pull from 1934.

To hear Pavoratti or other great voices through these is like a time machine to when they were alive.

#Lyon and healy harp troubadour ii made in what year full size

Lyon and Healy is still the largest and finest Symphonic Harp maker in the world and are responsible for the advancement and evolution of the full size Symphonic Harp as we know it today. They are the finest and rarest speaker cabinets in the world. For its super high-end systems Jensen went to Lyon and Healy the 152 year old harp and piano makers in old Chicago. The designers & builders of this system were not only the greatest moving coil speaker makers ever to live, but more importantly they were from the PRE-Electric era and it shows in the sound: a purity & natural non mechanical musicality that is unmatched in anything else I have ever heard. It is almost blasphemy to play pop music recordings on this set. These 1930's "poured pot" field coils with their ultra powerful, single joint captive magnetic circuits and feather light diaphragms are simply beyond everything that came after. A true lesson in detail and naturalness, easily exceeding modern speakers. This is a magical, petite & yet powerful system with a bewitching & effortless sound.